Australian First Nations Circle
for the CaPT Sector

Australia needs a thriving Circus & Physical and Theatre sector with more than one significant First Nations-led company, a flow-through of Australian First Nations practitioners at all ages and career stages, significantly increased programming of First Nations work, and increased employment of First Nations practitioners.

This initiative has a dedicated Program Producer on the CaPT Team. If you have questions about the Australian First Nations CaPT sector or the Circle, please email Lauren on


This program has supported the establishment of a national Australian First Nations Circle for the Circus and Physical Theatre sector. This group is First Nations-led and consists entirely of Australian First Nations representatives.

As an Australian First Nations-only space, the Circle is empowered to explore complex and widespread sector issues such as representation, cultural safety, and organisational accountability. Circle members are being supported with co-designed professional development until the end of 2024.

This program has been developed with Harley Mann, a Wakka Wakka man, a leading First Nations circus artist and former member of the TNA CaPT Advisory Committee and the TNA Board. TNA runs the program and supports the Producer and the Circle members. 


The Circle is being supported to develop a national First Nations action plan for the sector and a rider/best practice guide for organisations. 

The Producer is working closely with circle members to cultivate long-term sector relationships and gain commitments from organisations within the CaPT sector (and beyond) to embed these documents in their ongoing strategies and operations.


TNA has engaged emerging First Nations producer, Lauren Swain, to coordinate the circle.

Lauren will be supported in this role with professional development and regular mentorship from the TNA team and First Nations Board Members Harley Mann and Erica McCalman (Co-CEO).

Lauren Swain is a proud Dabee Wiradjuri person with English, Irish and Norwegian heritage, based in Naarm (Melbourne). She grew up in a rural town in the Mountains of Ngarigo Country (Cooma, NSW), an upbringing that underpins an artistic practice grounded in: community consciousness, care, inclusion and working with what you’ve got. Lauren is an emerging multidisciplinary theatre maker and weaves between performer, collaborator, facilitator and producer, holding the process and interpersonal connection at the centre of her practice. Lauren is a 2022 VCA graduate (BFA Theatre) and is interested in theatre that is led by physical play and movement.